MSC 172 Theory II: Harmony and Voice Leading

Dissonant harmony: the dominant seventh chord and other types of seventh chords in context, secondary functions and modulation. Harmonic analysis of Bach chorales. Overview of larger forms. Chromaticism: mode mixture and the Neapolitan, augmented-sixth chords, enharmonicism. Further elements of harmonic vocabulary: substitution, alteration, dominant ninth chord, common-tone diminished seventh chord, elements of post-romantic vocabulary and beyond, etc. Credit units: 3 ECTS Credit units: 5, Prerequisite: MSC 171.

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